By Isaac Asimov
Tags: Science Fiction, What-If, Cautionary Tale
Through an accident of science, Earth now has a seemingly unlimited supply of energy, enough to last a trillion years. Three people — an outcast scientist, a rebellious alien in a parallel world, and a lunar-born human Intuitionist — are aware that this boon to humankind could cause an imbalance in the nature of nuclear attraction that will cause the sun to explode with enough force to destroy the entire solar system and beyond, in perhaps as little as a few years. Continue reading “The Gods Themselves”
(1977, rated R) Chris Serandon (Michael Lerner), Christina Raines (Alison Parker), Martin Balsam (Professor Ruzinsky), John Carridine (Father Halloran), José Ferrer (Robed Figure), Ava Gardner (Miss Logan), Arthur Kennedy (Monsignor Franchino), Burgess Meredith (Charles Chasen), Sylvia Miles (Gerda), Deborah Raffin (Jennifer), Eli Wallach (Detective Gatz), Christopher Walken (Rizzo), Jerry Orbach (Film Director), Jeff Goldblum (Jack). Music: Gil Mellé. Screenplay: Michael Winner (based on the book by Jeffrey Konvtiz). Director: Michael Winner. 92 minutes.
Tags: Horror, Suspense, Kitsch
Notable: Jeff Goldblum almost invisible; Christopher Walken with about three lines; presentation of a lesbian couple (who are, of course, evil).
Model Alison Parker catches a great deal on a Brooklyn apartment, with her few neighbors being a bit eccentric, particularly the old, blind priest, Father Halloran in the upper floor apartment who sits in the window, staring at nothing, and never moves. It takes some time for her and her lawyer lover, Michael Lerner, to discover that the building is actually the gateway to Hell… and Alison has been invited to join the occupants of the building permanently. Continue reading “The Sentinel”
By John Varley
ISBN-13 — 978-0441006779
Publication Year: 1983
Tags: Science Fiction, Time Travel
Far over Oakland, California, a DC-10 commercial aircraft strikes a 747 in mid-air, bringing down both planes in an area covering several miles. No survivors. Air disaster investigator Bill Smith is searching for the reason for the crash, as a woman calling herself Louise Baltimore prepares, 50,000 years in the future, to stop him from finding out too much. The crash had to happen. It wasn’t that Louise caused it, but she left something behind on that plane, and Bill Smith can’t discover it before her, or the entirety of human history could be wiped out at a speed of hundreds of years per hour. Continue reading “Millennium”
(2012, PG-13) Anthony Hopkins (Alfred Hitchcock), Helen Mirren (Alma Reville), Scarlett Johansson (Janet Leigh), Toni Collette (Peggy), Danny Huston (Whitfield Cook), Jessica Biel (Vera Miles), Michael Stuhlbarg (Lew Wasserman), James D’Arcy (Anthony Perkins), Michael Wincott (Ed Grein), Kurtwood Smith (Geoffrey Shurlock), Richard Portnow (Barney Balaban). Music: Danny Elfman. Screenplay: John J. McLaughlin. (based on “Alfred Hitchcock and the Making of Psycho” by Stephen Rebello). Director: Sacha Gervasi. 98 minutes.
Tags: Behind-the-Scenes, Bio-Pic
Notable: Good story about the making of Psycho, but the personal aspects ain’t actual history.
By all accounts, Alfred Hitchcock was a difficult man, as a person, as a director, and as a husband. The great gamble of his life was to make the film Psycho. The studio hated it, wanting him to fall back on thrillers like The Man Who Knew Too Much (1934, his first big success in the genre) and several dozen others. Hitch was becoming somewhat bored with the formula, even with brilliant films like Rope (1948), Strangers on a Train (1951), and Rear Window (1954) in his repertoire. The truth was that Vertigo (1958), which has long since been vindicated as brilliant, was a box office flop as far as the studio was concerned; North By Northwest (1959) did well enough, and Paramount wanted “another one like that.” They wanted to make money, and at that point, the team of Dean Martin and Jerry Lewis was making a ton of cash for the producers. Studio executive Lew Wasserman was so sure that Psycho was going to bomb that he banked on the rather “craptastic” Martin-Lewis debacle called Cinderfella, which came out that Christmas. Talk about flops… Continue reading “Hitchcock”
By Graham Masterton
Publication Year: 1975
Tags: Horror, Native American
Harry Erskine is a phony clairvoyant who reads Tarot cards for a living. One of his “wealthy old ladies” has a niece, Karen Tandy, who has been having disturbing dreams and, perhaps coincidentally, has developed a strange lump on the back of her neck. Growing at an astonishing rate — measurable in centimeters per hour — the lump has some of the characteristics of a developing fetus. Piecing together clues both material and psychic, Harry believes this to be the impending reincarnation of a Native American Medicine Man from 300 years in the past, returning to reclaim the land from the White Man. If he grows to maturity, if he escapes Karen Tandy’s body, the girl will be the first to die… and the body count will only grow larger… Continue reading “The Manitou”
(2010, R) Val Kilmer (Mr. Nobody), Dylan Neal (Det. Alexander Black), Paul McGillium (Dep. Pine), Camille Sullivan (Dep. Hollows), Nels Lennarson (Dep. Sherwood), Christopher Gauthier (Desk Sgt. Gulloy), John Cassini (Dept. Hawkins). Music: Ross Vanelli. Screenplay: Joseph C. Huscat. Director: Michael Oblowitz. 91 minutes.
Tags: Thriller, Horror, Revenge
Notable: A few good twists on an old trope, with a deus ex puellita ending.
A drifter walks into a police station on a rainy Christmas Eve to confess to a series of murders, none of which has happened… yet. A terrible thing happened in this police station a year ago, and those involved are about to discover that karma is, indeed, a bitch. Continue reading “The Traveler”
By Deepak Malhotra
ISBN-13 — 978-1-60671-399-0
Publication Year: 2013
Tags: Social Commentary, Business, Self-Determination
Mice who live in the maze are taught that, if someone moves your cheese, you go out into the maze to find more cheese. From an early age, Max asked questions: Who moved the cheese, and why, and what is the maze anyway, and why do we stay in it? Most of the other mice simply laughed and ignored him, until one day Max comes to find Zed, to tell him that he has found the answers. With the help of Big (himself thought strange because he only seeks cheese when it suits him and does without it when it doesn’t suit him to go looking), Max has discovered what the maze is, and who moved the cheese, and he has sought out Zed because it is said that Zed questions the mere existence of the maze itself, not to mention its value.
This book was written in answer to Spencer Johnson’s Who Moved My Cheese, providing an answer “for those who refuse to live as mice in someone else’s maze.” Continue reading “I Moved Your Cheese”
(2017, Rated PG-13) Tom Bateman (Bouc); Kenneth Branagh (Hercule Poirot); Penélope Cruz (Pilar Estravados); Willem Dafoe (Gerhard Hardman); Judi Dench (Princess Dragomiroff); Johnny Depp (Edward Ratchett); Josh Gad (Hector MacQueen); Derek Jacobi (Edward Henry Masterman); Leslie Odom Jr. (Dr. Arbuthnot); Michelle Pfeiffer (Caroline Hubbard); Daisy Ridley (Miss Mary Debenham); Marwan Kenzari (Pierre Michel); Olivia Colman (Hildegarde Schmidt); Lucy Boynton (Countess Elena Andrenyi); Manuel Garcia-Rulfo (Biniamino Marquez); Sergei Polunin (Count Rudolph Andrenyi). Music: Patrick Doyle. Screenplay: Michael Green (suggested by the book by Agatha Christie). Director: Kenneth Branagh. 114 minutes.
Tags: Remake, Mystery, Avoid-At-All-Cost
Notable: Single most idiotic portrayal of Hercule Poirot in the history of the known world (Branagh); sets are better than the actors.
Having solved a case in Istanbul, the famous Belgian sleuth Hercule Poirot is recalled to England for a consultation. Securing travel on the Orient Express — the famous train that runs from Istanbul to Paris — Poirot finds himself embroiled in a mysterious murder. With the train snowbound, the murderer must be one of the passengers in the main coach… but which, and how? Poirot must engage his “little grey cells” to solve one of the most complicated crimes of his career. Continue reading “Murder on the Orient Express (2017)”
By Ray Bradbury
Publication Year: 1972
Tags: Fantasy, Horror, Youth
All the boys lament: How can there be Halloween without Pipkin? The light-footed lad may miss his tricks and treats this year, for he has been whisked away on a journey into the world of Halloween itself, and it could mean his life or death. His eight friends must follow him, guided by the mysterious Carapace Clavicle Moundshroud and the symbols upon the Halloween Tree, to fly through all of space and time to learn the terrifying history of Halloween, from ancient Greece, Rome, and Egypt, through the Druids, medieval Notre Dame, and the Day of the Dead, with Pipkin always just ahead, waiting, calling, seeking the very roots of Halloween itself … Continue reading “The Halloween Tree”
(1979, Rated R) Al Pacino (Arthur Kirkland); Jack Warden (Judge Rayford); John Forsythe (Judge Fleming); Lee Strasberg (Grandpa Sam); Jeffrey Tambor (Jay Porter); Christine Lahti (Gail Packer); Sam Levene (Arnie); Robert Christian (Ralph Agee); Thomas Waites (Jeff McCullaugh); Larry Bryggman (Warren Fresnell); Craig T. Nelson (Frank Bowers). Music: Dave Grusin. Screenplay: Valerie Curtin and Barry Levinson. Director: Norman Jewison. 119 minutes.
Tags: Courtroom Drama, Social Satire
Notable: One of the finest courtroom “opening statement” scenes in movie history, with the oft-misquoted line, “You’re out of order! You’re out of order! The whole trial’s out of order!” (Pacino)
When corrupt Judge Fleming is charged with rape, idealistic lawyer Arthur Kirkland is quietly blackmailed into defending him. Kirkland has had problems with the judge in the past, including one incident when the judge wrongly sentenced his client, Jeff McCullaugh, because of a technicality. As Kirkland prepares this and two other cases, he faces a series of moral and legal dilemmas, including the possibility that the judge is guilty.
With the hearings regarding Judge Brett Kavanaugh going on, now is a great time to revisit this particularly relevant film. Continue reading “And Justice For All”