Days of Future Passed

The Moody Blues

Tracks: 1—The Day Begins; 2—Dawn: Dawn is a Feeling; 3—The Morning: Another Morning; 4—Lunch Break: Peak Hour; 5—The Afternoon: Forever Afternoon (Tuesday?) and (Evening) Time to Get Away; 6—Evening: The Sunset and Twilight Time; 7—The Night: Nights in White Satin and Late Lament.

Tags: Progressive Rock, Concept Album, Rock

Release Date: November 10, 1967

Rating: ★★★★☆

Only the second album released by the “Moodies” (as they were familiarly known), this exemplary mix of ballads, poetry, and rock orchestra remains one of the defining collections for both the group and the genesis of what became known as progressive rock. Both singles from this album, “Forever Afternoon (Tuesday?)” and “Nights in White Satin”, became anthems of their time that are still covered and re-covered fifty years later. Recorded in what was called “Deramic Sound” (created by the Deram record label), this album was one of the first released in true stereo. Continue reading “Days of Future Passed”

Tubular Bells 2

Mike Oldfield

TRACKS: 1—Sentinel; 2—Dark Star; 3—Clear Light; 4—Blue Saloon; 5—Sunjammer; 6—Red Dawn; 7—The Bell; 8—Weightless; 9—The Great Plain; 10—Sunset Door; 11—Tattoo; 12—Altered State; 13—Maya Gold; 14—Moonshine.

TAGS: Instrumental, Follow-up Album

RELEASE DATE: August 31, 1992

Rating: ★☆☆☆☆

When this album first came out in 1992, I desperately wanted to like it. For one thing, the original Tubular Bells was pretty good. For another, the brain-dead trend-heads at Entertainment Weekly magazine panned the album, calling its sound “too new age”. Knowing as I do that EW is almost never right about anything, and that they rarely praise anything without being paid for it in one way or another, I was prepared to really enjoy this disc. I can still safely say that they’re dead wrong about one thing: The term “new age” has nothing whatsoever to do with this music. For the rest, however, I’m forced to admit that it really does stink. Continue reading “Tubular Bells 2”

Nerve Net

Brian Eno (Guest artists include Robert Fripp and Roger Eno)

TRACKS: 1—Fractal Zoom; 2—Wire Shock; 3—What Actually Happened?; 4—Pierre in Mist; 5—My Squelchy Life; 6—Juju Space Jazz; 7—The Roil, The Choke; 8—Ali Click; 9—Web; 10—Web (Lascaux Mix); 11—Decentre

RELEASE DATE: September 1, 1992

TAGS: Electronica, Horrible, Painful, Fuggeddabowdit

RATING: ☆☆☆☆☆

In the liner notes, Eno says, “This record is: like Paella, a self-contradictory mess, off balance, unlocked, dissonant, frenetic, evanescent, overheated, godless, clockless, reckless, squelchy, un-American, technically naïve, far too vague, derivative of everything, post cool, post root, crunchy, bluff, post world, post man, too much, not enough, revisionist, shamelessly exhibitionist, untailored, uncentered, clearly the work of a mind in distress, where-am-I music.” He is wrong on two counts: He left out “appalling,” and it certainly isn’t “music.” Continue reading “Nerve Net”

FA:7 Collection

Fox Amoore (Iain Armour)

TRACKS: 1—Game of Lightning; 2—Dream Rider; 3—Stay As You Are; 4—Our Place of Being; 5—Winds of Change; 6—Hold Me Tight; 7—Edge of Valhalla; 8—Never Far Away (vocal); 9—The Triad; 10—Play for Your Heart; 11—Soothe the Beast; 12—Seasons of Kusac; 13—The Ninth Tale; 14—End Game

TAGS: Instrumental, Furry Artist

RELEASE DATE: November 6, 2015

RATING: ★★☆☆☆

I’ve not heard a great deal of Fox Amoore’s music, although all that I’ve heard seems well-represented by the works on this album. He’s a good craftsman, carefully composing solid work that, for the most part, sounds like something to back a video game or a movie that’s based on one. In itself, this is not a bad thing, but the range and effectiveness of the music is sometimes limited by this evident preference. Largely predictable in his musical construction, he can be counted upon to crash in with an overdose of electric guitar or percussion when he runs out of good ideas for taking the piece in a new and interesting direction. Continue reading “FA:7 Collection”

Pornografitti

Extreme (Pat Badger, Nuno Bettencourt, Gary Cherone, Paul Geary)

TRACKS: 1—Decadence Dance; 2—Li’l Jack Horny; 3—When I’m President; 4—Get the Funk Out; 5—More Than Words; 6—Money (In God We Trust); 7—It(‘s a Monster); 8—Pornografitti; 9—When I first Kissed You; 10—Suzi (Wants Her All-Day What?); 11—He-Man Woman Hater; 12—Song For Love; 13—Hole Hearted.

RELEASE DATE: August 7, 1990

TAGS: Rock, Horrible, Indecisive, Fuggeddabowdit

RATING: ★☆☆☆☆

Although this is the second album by this band, it’s the first I’ve heard of them. I was suckered into buying the whole album, back in the day before you could buy one song out of the bunch. (To really date myself, I happened to be channel-surfing, in those ancient days when VH-1 actually played — GASP! — music videos, and I heard “Hole Hearted,” which is apparently the band’s only hit.) The balance of this album is so radically different from that one cut (read: “Hole Hearted” is the only song worth anything), and it’s definitely not a keeper; meanwhile, I thought I’d take a long look at who and what these guys are, or at least what they tried to be. Continue reading “Pornografitti”