(2012, PG-13) Anthony Hopkins (Alfred Hitchcock), Helen Mirren (Alma Reville), Scarlett Johansson (Janet Leigh), Toni Collette (Peggy), Danny Huston (Whitfield Cook), Jessica Biel (Vera Miles), Michael Stuhlbarg (Lew Wasserman), James D’Arcy (Anthony Perkins), Michael Wincott (Ed Grein), Kurtwood Smith (Geoffrey Shurlock), Richard Portnow (Barney Balaban). Music: Danny Elfman. Screenplay: John J. McLaughlin. (based on “Alfred Hitchcock and the Making of Psycho” by Stephen Rebello). Director: Sacha Gervasi. 98 minutes.
Tags: Behind-the-Scenes, Bio-Pic
Notable: Good story about the making of Psycho, but the personal aspects ain’t actual history.
By all accounts, Alfred Hitchcock was a difficult man, as a person, as a director, and as a husband. The great gamble of his life was to make the film Psycho. The studio hated it, wanting him to fall back on thrillers like The Man Who Knew Too Much (1934, his first big success in the genre) and several dozen others. Hitch was becoming somewhat bored with the formula, even with brilliant films like Rope (1948), Strangers on a Train (1951), and Rear Window (1954) in his repertoire. The truth was that Vertigo (1958), which has long since been vindicated as brilliant, was a box office flop as far as the studio was concerned; North By Northwest (1959) did well enough, and Paramount wanted “another one like that.” They wanted to make money, and at that point, the team of Dean Martin and Jerry Lewis was making a ton of cash for the producers. Studio executive Lew Wasserman was so sure that Psycho was going to bomb that he banked on the rather “craptastic” Martin-Lewis debacle called Cinderfella, which came out that Christmas. Talk about flops… Continue reading “Hitchcock”