Month: February 2018

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The Andromeda Strain (1971)

(1971, rated G “but may be too intense for younger children”) Arthur Hill (Jeremy Stone), James Olson (Mark Hall), Kate Reid (Ruth Leavitt), David Wayne (Charles Dutton), Paula Kelly (Karen Anson), Ramon Bieri (Maj. Manchek), Kermit Merdock (Dr. Robertson), Eric Christmas (Sen. Phillips), Ken Swofford (Toby). Music: Gil Mellé. Screenplay: Nelson Gidding (based on the novel by Michael Crichton). Director: Robert Wise. 130 minutes.

Tags: Sci-Fi, Suspense, Alien Contact

Notable: All of the tech that you see was directly from then-current-day laboratories, showing we’re further ahead than we all thought before; actor Arthur Hill really used the mechanical hands himself; James Olson, usually cast as a “bad guy,” gets to be the hero for a change.

Rating: ★★★★★

A NASA probe, Scoop VII, has crash-landed near the tiny town of Piedmont, New Mexico (Population: 68). An Army team of two sent in to find and retrieve the satellite finds a town full of dead bodies, and they too are swiftly killed through no identifiable means from a distance. A biological agent is suspected, creating a “Wildfire Alert” – an immediate priority to scramble a specific team of scientists to gather at a huge underground facility specifically created to combat a biological emergency of this type. Jeremy Stone (Hill) petitioned the government to create it a few years earlier, citing a failure to avoid contamination at the NASA lunar lab; now, the facility, and the scientists who have been called, are about to be put to the test. Continue reading “The Andromeda Strain (1971)”

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Nerve Net

Brian Eno (Guest artists include Robert Fripp and Roger Eno)

TRACKS: 1—Fractal Zoom; 2—Wire Shock; 3—What Actually Happened?; 4—Pierre in Mist; 5—My Squelchy Life; 6—Juju Space Jazz; 7—The Roil, The Choke; 8—Ali Click; 9—Web; 10—Web (Lascaux Mix); 11—Decentre

RELEASE DATE: September 1, 1992

TAGS: Electronica, Horrible, Painful, Fuggeddabowdit

RATING: ☆☆☆☆☆

In the liner notes, Eno says, “This record is: like Paella, a self-contradictory mess, off balance, unlocked, dissonant, frenetic, evanescent, overheated, godless, clockless, reckless, squelchy, un-American, technically naïve, far too vague, derivative of everything, post cool, post root, crunchy, bluff, post world, post man, too much, not enough, revisionist, shamelessly exhibitionist, untailored, uncentered, clearly the work of a mind in distress, where-am-I music.” He is wrong on two counts: He left out “appalling,” and it certainly isn’t “music.” Continue reading “Nerve Net”

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The Boy on the Bus

BoyOnTheBusCoverBy Deborah Schupack
ISBN 0-743-24221-1

Publication Year: 2003

Tags: Pretentious, Avoid-At-All-Cost, Pointless

Rating: ★☆☆☆☆

A Vermont housewife finds that the last boy on the bus, the boy who hasn’t left the bus because he doesn’t seem to know that he’s arrived at his home, both is and somehow is not her son Charlie. He looks mostly right, sounds mostly right, but he is different; rather than being a severely asthmatic weakling, this boy seems more robust, even more mature. No one — not the bus driver, the sheriff, the neighbors, the husband, the older daughter — can tell if this is really Charlie. Each falls back upon the strange, perhaps inexplicable observation, “You’re his mother; you should know.” Continue reading “The Boy on the Bus”

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Writing — The Ten-Minute Warm-Up

For all you writers out there who are toiling under the misdirection of the so-called experts, I’ll let you in on a little secret: There’s no such thing as the “correct” way to write a story. In some instances, you don’t even need sensible grammar and punctuation (witness the “Benjy” section of Faulkner’s Sound and the Fury, or any reasonably long segment of James Joyce). As a rule, unless you intend for the narrator or the book to be taken as being written by someone for whom the English language is a bit of a mystery, you should observe proper grammar, punctuation, and spelling (or GPS, as I frequently refer to it). Other than that, you’re free to do just about anything you want when telling a story. Continue reading “Writing — The Ten-Minute Warm-Up”

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Oh, it’s SO on…

logamachy (low-GAH-mah-key) n. — a dispute over or about words

I hereby declare myself a Knight Errant and Defender of Logos in the ongoing war over words, neologisms, the purpose and flexibility of language, and the Usage Panel of The American Heritage Dictionary of the English Language. Let the controversy begin. Continue reading “Oh, it’s SO on…”